{"id":663,"date":"2026-02-28T15:56:21","date_gmt":"2026-02-28T14:56:21","guid":{"rendered":"https:\/\/kazumitsuujisawa.com\/?page_id=663"},"modified":"2026-03-01T00:54:53","modified_gmt":"2026-02-28T23:54:53","slug":"%e3%83%ac%e3%83%91%e3%83%bc%e3%83%88%e3%83%aa%e3%83%bc","status":"publish","type":"page","link":"https:\/\/kazumitsuujisawa.com\/ja\/%e3%83%ac%e3%83%91%e3%83%bc%e3%83%88%e3%83%aa%e3%83%bc\/","title":{"rendered":"\u30ec\u30d1\u30fc\u30c8\u30ea\u30fc"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Scarlatti<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Selected Sonatas<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Bach<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>15 Inventions, BWV 772\u2013786<\/li>\n\n\n\n<li>15 Sinfonias, BWV 787\u2013801<\/li>\n\n\n\n<li>The Well-Tempered Clavier (Excerpts), BWV 846\u2013893<\/li>\n\n\n\n<li>English Suites No. 3 &amp; 4, BWV 808 &amp; 809<\/li>\n\n\n\n<li>French Suites No. 1, 2, 3 &amp; 5, BWV 812, 813, 814 &amp; 816<\/li>\n\n\n\n<li>6 Partitas No. 1, 2 &amp; 5, BWV 825, 826 &amp; 829<\/li>\n\n\n\n<li>Chromatic Fantasy and Fugue, BWV 903<\/li>\n\n\n\n<li>Toccata, BWV 913<\/li>\n\n\n\n<li>Italian Concerto, BWV 971<\/li>\n\n\n\n<li>The Art of Fugue (Excerpts), BWV 1080<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Haydn<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Sonatas No. 50 &amp; 52, Hob. XVI:50 &amp; Hob. XVI:52<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mozart<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Sonatas No. 2, 3, 4, 9, 10, 11 (Alla Turca), 13, 18<\/li>\n\n\n\n<li>Rondo in D Major, K.485<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Beethoven<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Sonatas No. 1\u201310, 13, 14 (Moonlight), 16, 17 (Tempest), 18, 21 (Waldstein), 23 (Appassionata), 24 (Th\u00e9r\u00e8se), 27, 28, 31<\/li>\n\n\n\n<li>Eroica Variations, Op. 35<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Schubert<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Sonatas D.958, D.959<\/li>\n\n\n\n<li>Impromptus Op. 90 No. 2, 3, 4; Op. 142 No. 3<\/li>\n\n\n\n<li>Moments Musicaux Op. 94 No. 3, D.780<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mendelssohn<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Songs Without Words (Excerpts)<\/li>\n\n\n\n<li>Rondo Capriccioso, Op. 14<\/li>\n\n\n\n<li>Fantasy, Op. 28<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Chopin<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>24 \u00c9tudes, Op. 10 &amp; Op. 25<\/li>\n\n\n\n<li>24 Pr\u00e9ludes, Op. 28<\/li>\n\n\n\n<li>Valses (excerpts)<\/li>\n\n\n\n<li>Nocturnes<\/li>\n\n\n\n<li>Mazurkas<\/li>\n\n\n\n<li>Sonatas Nos. 1, 2, 3<\/li>\n\n\n\n<li>Ballades Nos. 1, 3, 4<\/li>\n\n\n\n<li>Scherzos Nos. 2, 3, 4<\/li>\n\n\n\n<li>Barcarolle<\/li>\n\n\n\n<li>Polonaises Nos. 1\u20134, 6, 7<\/li>\n\n\n\n<li>Rondo, Op. 1<\/li>\n\n\n\n<li>Fantaisie-Impromptu, Op. 66<\/li>\n\n\n\n<li>Fantaisie, Op. 49<\/li>\n\n\n\n<li>Variations Brillantes, Op. 12<\/li>\n\n\n\n<li>Andante Spianato et Grande Polonaise Brillante, Op. 22<\/li>\n\n\n\n<li>3 \u00c9cossaises, Op. 72 Nos. 3, 4, 5<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Liszt<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u00c9tudes d\u2019ex\u00e9cution transcendante No. 4 (Mazeppa), 5 (Feux follets), 7, 9, 10, 11<\/li>\n\n\n\n<li>Ann\u00e9es de p\u00e8lerinage: Suisse, S.161<\/li>\n\n\n\n<li>Ann\u00e9es de p\u00e8lerinage: Italie: Sposalizio, Sonetto del Petrarca,<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Apr\u00e8s une lecture de Dante<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Jeux d\u2019eau \u00e0 la Villa d\u2019Este<\/li>\n\n\n\n<li>3 \u00c9tudes de Concert, S.144<\/li>\n\n\n\n<li>2 Concert \u00c9tudes, S.145<\/li>\n\n\n\n<li>6 Paganini \u00c9tudes, S.141 (No. 3: La Campanella)<\/li>\n\n\n\n<li>Liebestr\u00e4ume No. 3, S.541<\/li>\n\n\n\n<li>Rigoletto Paraphrase, S.435<\/li>\n\n\n\n<li>Spanish Rhapsody, S.254<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Schumann<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Abegg Variations, Op. 1<\/li>\n\n\n\n<li>Davidsb\u00fcndlert\u00e4nze, Op. 6<\/li>\n\n\n\n<li>Allegro, Op. 8<\/li>\n\n\n\n<li>Carnaval, Op. 9<\/li>\n\n\n\n<li>Fantasiest\u00fccke, Op. 12<\/li>\n\n\n\n<li>Fantasia, Op. 17<\/li>\n\n\n\n<li>Arabeske, Op. 18<\/li>\n\n\n\n<li>Humoreske, Op. 20<\/li>\n\n\n\n<li>Widmung (Myrthen), Op. 25 No. 1<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Brahms<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Sonatas No. 1, 2 &amp; 3<\/li>\n\n\n\n<li>2 Rhapsodies, Op. 79<\/li>\n\n\n\n<li>Handel Variations, Op. 24<\/li>\n\n\n\n<li>7 Fantasien, Op. 116<\/li>\n\n\n\n<li>3 Intermezzi, Op. 117<\/li>\n\n\n\n<li>6 Piano Pieces, Op. 118<\/li>\n\n\n\n<li>4 Piano Pieces, Op. 119<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Chaminade<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Fileuse<\/li>\n\n\n\n<li>Autumn, Op. 35 No. 3<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Poulenc<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Les Soir\u00e9es de Nazelles<\/li>\n\n\n\n<li>Caprice Italien<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>S\u00e9verac<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Les Na\u00efades et le Faune indiscret<\/li>\n\n\n\n<li>Cerdana (Excerpts)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Dutilleux<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Sonata, Op. 1<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Saint-Sa\u00ebns<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u00c9tude en forme de valse, Op. 52 No. 6<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Faur\u00e9<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Ballade, Op. 19<\/li>\n\n\n\n<li>Impromptu No. 2, Op. 31<\/li>\n\n\n\n<li>Nocturnes (Excerpts)<\/li>\n\n\n\n<li>Valses-Caprices No. 1 &amp; 3<\/li>\n\n\n\n<li>Barcarolles No. 3 &amp; 5<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Franck<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Pr\u00e9lude, Aria et Finale<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Debussy<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2 Arabesques<\/li>\n\n\n\n<li>Pour le piano<\/li>\n\n\n\n<li>Estampes<\/li>\n\n\n\n<li>Images, Book 1 &amp; 2<\/li>\n\n\n\n<li>Pr\u00e9ludes (Excerpts)<\/li>\n\n\n\n<li>Suite Bergamasque<\/li>\n\n\n\n<li>\u00c9tudes (Excerpts)<\/li>\n\n\n\n<li>Valse romantique<\/li>\n\n\n\n<li>La plus que lente<\/li>\n\n\n\n<li>Danse (Tarantelle styrienne)<\/li>\n\n\n\n<li>L\u2019Isle joyeuse<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ravel<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Sonatine<\/li>\n\n\n\n<li>Miroirs<\/li>\n\n\n\n<li>Gaspard de la nuit<\/li>\n\n\n\n<li>Le Tombeau de Couperin<\/li>\n\n\n\n<li>Menuet Antique<\/li>\n\n\n\n<li>Pavane pour une infante d\u00e9funte<\/li>\n\n\n\n<li>Jeux d\u2019eau<\/li>\n\n\n\n<li>La Valse<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Chabrier<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Bourr\u00e9e Fantasque<\/li>\n\n\n\n<li>Scherzo-Valse<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Respighi<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Valses Caressantes<\/li>\n\n\n\n<li>Notturno<\/li>\n\n\n\n<li>Intermezzo-Serenata<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Messiaen<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Vingt Regards sur l\u2019Enfant-J\u00e9sus (Excerpts)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Gr\u00fcnfeld<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Soir\u00e9es de Vienne<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Albeniz<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Iberia: Books 1,3 &amp; Triana<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Granados<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Goyescas (Complete)<\/li>\n\n\n\n<li>El Pelele<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Falla<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Fantasia B\u00e9tica<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Grieg<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Lyric Pieces (Excerpts)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Bart\u00f3k<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Ostinato<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Scriabin<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Sonatas No. 4, 5, 9<\/li>\n\n\n\n<li>\u00c9tudes (Excerpts)<\/li>\n\n\n\n<li>5 Pr\u00e9ludes, Op. 16<\/li>\n\n\n\n<li>2 Poems, Op. 32<\/li>\n\n\n\n<li>Po\u00e8me Tragique, Op. 34<\/li>\n\n\n\n<li>Vers la flamme, Op. 72<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Szymanowski<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>M\u00e9topes, Op. 29<\/li>\n\n\n\n<li>Masques, Op. 34 (Scheherazade)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Prokofiev<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Sonata No. 3, Op. 28<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Rachmaninof<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u00c9tudes-tableaux (Excerpts)<\/li>\n\n\n\n<li>Preludes, Op. 23 (Excerpts); Op. 32 (Complete)<\/li>\n\n\n\n<li>Corelli Variations, Op. 42<\/li>\n\n\n\n<li>Liebesleid (Kreisler)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Gillock<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Valse \u00c9tude<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Kapustin<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u00c9tudes de Concert, Op. 40 (Excerpts)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Joe Hisaishi<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Hirai Kosaburo<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Sakura Fantasy<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Akira Miyoshi<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Sonata<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Concertos<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Mozart: No. 9, K.271; No. 17, K.453<\/li>\n\n\n\n<li>Beethoven: No. 4, 5<\/li>\n\n\n\n<li>Chopin: No. 1, 2<\/li>\n\n\n\n<li>Liszt: No. 1<\/li>\n\n\n\n<li>Schumann: Op. 54<\/li>\n\n\n\n<li>Brahms: No. 1<\/li>\n\n\n\n<li>Tchaikovsky: No. 1<\/li>\n\n\n\n<li>Ravel: G Major Concerto<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Scarlatti Bach Haydn Mozart Be [&hellip;]<\/p>\n","protected":false},"author":254473243,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"class_list":["post-663","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PfYPfS-aH","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/kazumitsuujisawa.com\/ja\/wp-json\/wp\/v2\/pages\/663","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kazumitsuujisawa.com\/ja\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kazumitsuujisawa.com\/ja\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kazumitsuujisawa.com\/ja\/wp-json\/wp\/v2\/users\/254473243"}],"replies":[{"embeddable":true,"href":"https:\/\/kazumitsuujisawa.com\/ja\/wp-json\/wp\/v2\/comments?post=663"}],"version-history":[{"count":2,"href":"https:\/\/kazumitsuujisawa.com\/ja\/wp-json\/wp\/v2\/pages\/663\/revisions"}],"predecessor-version":[{"id":665,"href":"https:\/\/kazumitsuujisawa.com\/ja\/wp-json\/wp\/v2\/pages\/663\/revisions\/665"}],"wp:attachment":[{"href":"https:\/\/kazumitsuujisawa.com\/ja\/wp-json\/wp\/v2\/media?parent=663"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}